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“Within the slippery divides between disciplines and media – fashion, art, music, interiors, commerce – one finds Malcolm McLaren, roaming and creating.” Lou Stoppard in her essay in The Life & Times Of Malcolm McLaren Disruption to the publication of a book is extremely small beer at a time when the COVID-19 pandemic has set […]
Sweet relief from travails personal and political was provided last night by visits to openings of two contrasting yet similarly satisfying creative endeavours in our great capital.
The Conformist – artist Paul Kindersley’s counter intuitively-titled group show about non-conformity of expression from Emma, Lady Hamilton and Aubrey Beardsley to Marvin Gaye Chetwynd and Julie Verhoeven – opened with a bang last night with a private view at Mayfair’s art and jewellery space Belmacz.
Considered as an artwork, a two-and-a-half year project, and in its own terms, McLaren’s Sex Pistols’ was as seminal and resonant as Picasso’s Guernica. Only this was a masterpiece made not of paint and canvas but of headlines and scandal, scams and factoids, rumour and fashion, slogans, fantasies and images and (I almost forgot) songs, […]
Hope you enjoy this selection of installation shots from the exhibition Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren, currently wowing visitors to Southampton’s John Hansard Gallery.
The opening of new exhibition Eyes For Blowing Up Bridges: Joining The Dots From The Situationist International To Malcolm McLaren at the weekend was a great success.
Eyes For Blowing Up Bridges* is the title of the forthcoming exhibition about the creative interplay between a group of remarkable radical artists, poets, writers and activists who initiated, perpetrated and influenced a range of post-war alternatives.
Two of Malcolm McLaren’s t-shirts from the very first production run of I Groaned With Pain – the notorious text design produced with Vivienne Westwood in 1974 – will be featured in Eyes For Blowing Up Bridges, the exhibition I am co-curating with David Thorp at Southampton’s John Hansard Gallery this autumn. I Groaned With […]
“More than anyone, Malcolm McLaren bursts the definitions as to what exactly constitutes an artist.” Yves Aupetitallot, curator at Magasin, the Centre National d’Art Contemporain, in the introduction to Art In Pop Due to popular demand, the run of Art In Pop – the French exhibition about the intermingling of artistic practice with popular music […]