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The new interiors magazine TON – the first issue is out now – has two pieces by me on very different but equally extraordinary homes. TON’s founder and editor-in-chief Jermaine Gallacher – who works with art director Rory Gleeson and editorial director Ted Stansfield – commissioned me to write about Dave Baby’s apartment close to […]
Sweet relief from travails personal and political was provided last night by visits to openings of two contrasting yet similarly satisfying creative endeavours in our great capital.
Artist/illustrator Stephen Fowler’s Rubber Stamping is an engaging guide which stems from his rich body of work in primitive, D-I-Y printmaking.
“So great to see an eclectic range of images and objects that challenge norms and play with moral codes” The Courtauld’s Documenting Fashion blog The Conformist – artist Paul Kindersley’s celebration of great British non-conformity of expression – is now entering its final few days. If you have the opportunity, I recommend a visit to […]
It’s always a delight to encounter fresh artworks by a favourite artist, and Derek Boshier’s print One from 1967 is no exception.
Last night I gave a talk to fine art students at Central Saint Martins as part of the London art and design college’s Monday Guest Lecture series. The title – Malcolm McLaren: A New Type Of Artist – stemmed from the catalogue introduction by the late Paul Taylor to Impresario, the 1988 New York New […]
Next Thursday (October 8) I will be in conversation with artist Derek Boshier at Flowers Gallery in Cork Street in London’s Mayfair. This marks the publication of Rethink/Re-entry, the Boshier monograph I have edited, as well as the exhibition of the same name I am curating at Flowers with the writer/curator Guy Brett.
In January 2012, on a cold night in a print studio in, of all places, Wandsworth, south London, the eminent artist Derek Boshier asked me if I was interested in putting together a monograph of his life’s work with his friend and champion, the writer and curator Guy Brett.
The 1970 BBC documentary At A Printmaker’s Workshop focuses on Dorothea Wight’s fabled Studio Prints in Queens Crescent, Kentish Town. It is also a marvellous snapshot of London on the cusp of change as inner city areas became invigorated by the arrival of interesting new businesses (with none of today’s dread “regeneration” and its companion […]