To mark the publication of my piece about Derek Boshier’s creative collaborations with David Bowie in this month’s British GQ, here is a photograph taken when the rock star visited the artist and his family at his home outside London in the early 90s.
Next Thursday (October 8) I will be in conversation with artist Derek Boshier at Flowers Gallery in Cork Street in London’s Mayfair.
This marks the publication of Rethink/Re-entry, the Boshier monograph I have edited, as well as the exhibition of the same name I am curating at Flowers with the writer/curator Guy Brett.
Continue reading In conversation with Derek Boshier at Flowers Cork Street next week
DÉTOURNÉD PAINTING
Intended for the public. Easy reading
Collectors and museums,
be modern
If you have old paintings,
do not despair.
Keep your memories
But detourne them
So they correspond to your time
Why reject the old [paintings]
If one can modernize them?
With a few brushstrokes
Modernize your old culture
Be up to date
and distinguished at the same time
Painting is over
Better give it the final blow
Detourne
Long live painting
Asger Jorn, exhibition catalogue, Galerie Rive Gauche, Paris, May 1959. Translation: Young Kim.
Among the pertinent exhibits of our forthcoming show Eyes For Blowing Up Bridges is the statement disavowing traditional approaches to artistic creation made by the Danish artist and writer Asger Jorn in the late 50s.
In January 2012, on a cold night in a print studio in, of all places, Wandsworth, south London, the eminent artist Derek Boshier asked me if I was interested in putting together a monograph of his life’s work with his friend and champion, the writer and curator Guy Brett.
Continue reading Derek Boshier: Rethink/Re-entry published October 5 UK + November 10 US
Derek Boshier is the next subject of the BBC strand What Do Artists Do All Day? – Zara Hayes’ film, which was shot in Los Angeles and shadows Boshier on his daily routine, will be screened at 10.30pm UK time on BBC Four next Monday (August 24).
Eyes For Blowing Up Bridges* is the title of the forthcoming exhibition about the creative interplay between a group of remarkable radical artists, poets, writers and activists who initiated, perpetrated and influenced a range of post-war alternatives.
Chris Stephens, the Tate’s head of displays and head curator of modern British art, has organised for Derek Boshier’s 1962 painting to be hung at Tate Britain on London’s Millbank.
Continue reading Not-so-hidden persuader: Tate displaying The Identi-Kit Man by Derek Boshier
//Boshier features in these panels from BBC Four’s Pop Art-style run-down of the season elements//
British artist Derek Boshier – subject of Rethink/Re-entry, the monograph I have edited which is published this autumn – is to be featured in next month’s BBC season of programmes about Pop Art.
Boshier has been commissioned by the broadcaster to create a new BBC Four ident which will run throughout August alongside new logos produced by his fellow Royal College graduates Peter Blake and Peter Phillips (who starred with Boshier and the late Pauline Boty in Ken Russell’s groundbreaking 1962 BBC documentary Pop Goes The Easel).
This is a very nice short made by producer/editor Tulip Tappenden at Derek Boshier’s Los Angeles studio in 2013:
Derek Boshier: An artist at his studio. from TulipT on Vimeo.
It includes many of the works featured in the forthcoming monograph Derek Boshier: Rethink/Re-entry, which is published by Thames & Hudson in October and features a foreword by David Hockney.
Order your copy here.
Check out, if you have the chance, Derek Boshier’s giant 2011 work Reigning Apps And Blogs in the summer show curated by Michael Craig Martin at London’s Royal Academy of Arts.
Continue reading Derek Boshier’s Reigning Apps And Blogs in the Royal Academy Summer Exhibition