‘The impossibility of fair play in democratic society because of loneliness’: Emmett Grogan on To Tell The Truth

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//Emmett Grogan, contestant 2 on the CBS gameshow To Tell The Truth, 1972//

Emmett did enough, rest assured. He proved with his existence that each of us could act out the life of our highest fantasies. This was his goad and his compassionate legacy. Don’t minimise it or let yourself off the hook of his example by quibbling over details. Think about what you read, but more important, as Emmett would have said, “Dig yourself!”.

Peter Coyote, introduction to Ringolevio: A Life Played For Keeps, 1989.

I’m a recently converted disciple of Emmett Grogan.

I was turned on to Grogan’s epic meta-memoir Ringolevio by the persuasive pairing of beat music entrepreneur Kosmo Vinyl and writer Steven Daly when hanging out with them in a series of New York bookshops last year. By the time I was home a few days later I’d devoured Ringolevio’s 500 pages twice and still refer to it constantly. It is a masterpiece.

This morning this absolute delight appeared as if from out of the blue: Grogan – in his capacity as founder of The Diggers – promoting the newly published Ringolevio by participating in a 1972 episode of the guess-the-guest game show To Tell The Truth.

And naturally Grogan does tell the truth. Asked to differentiate between hippies and Yippies he caustically defines the latter group as attracted to “morons like Abbott Hoffman and Jerome Rubin”.

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//My copy of the New York Review Of Books 2008 paperback edition. Cover: Grogan on the steps of the San Francisco Municipal Courthouse, 1966. Photo: Bob Campbell/San Francisco Chronicle//
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//First edition, Little, Brown, 1972. Jacket: Larry Rivers//

Grogan also tells host Gary Moore – who praises the Larry Rivers cover of the first edition of Ringolevio – that he is working on a new book, entitled The Impossibility Of Fair Play In Democratic Society Because Of Loneliness.

Put-on or not, the sad fact is that this was just one of a number of Grogan’s projects which failed to see the light of day in the wake of Ringolevio. As Peter Coyote wrote in 1989: “Emmett’s road petered out at the end of the line of the Coney Island subway April Fools Day 1978 – where his body was found, dead of an overdose.”

Bob Dylan subsequently dedicated his album Street Legal to Grogan’s memory.

TTTT from Eric Noble on Vimeo.

If you don’t already own a copy do yourself a favour and buy Ringolevio.

As Coyote also wrote: “Think about what you read, but more important, as Emmett would have said, “Dig yourself!”.

‘I work in the belief – or dare – that I remain a perennial beginner’ Rose Finn-Kelcey: 1945-2014

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//Divided Self, 1974. Black and white silver gelatine print. 46.6 x 70cm//
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//Sad And Lonely, 2006. Wood, paint, aluminium, fairground lights. 7.4 x 3.7 x 1.5m//

“I work in the belief – or dare – that I can continue to reinvent myself and remain a perennial beginner.”

Sad to note the death of the British artist Rose Finn-Kelcey.

Read Guy Brett’s obituary for this “wonderful artist and great person” here.

Ridinghouse’s recently published monograph Rose Finn-Kelcey – which contains essays by Brett, Sarah Kent and Michael Stanley – is available here.

Visit the artist’s website here.

 

Derek Boshier: Rethink/Re-Entry – assembling the materials for long overdue monograph

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//Exhibition cards and private view invitations, 1973 to date//

I’m assembling materials for Rethink/Re-Entry, the long-overdue monograph of the great British artist Derek Boshier I am currently editing.

The book takes its title from the early Boshier painting which inspired rock’s ultimate art-directed star Bryan Ferry to choose the name Remake/Remodel for the first track on Roxy Music’s game-changing debut LP.

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//Rethink/Re-entry, oil on canvas, 1962//

Continue reading Derek Boshier: Rethink/Re-Entry – assembling the materials for long overdue monograph

Hawkwind + Barney Bubbles among influences in Le Gun’s exhibition Space is Deep

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//Le Gun’s Planet Frottage, one of the group works featured in Space Is Deep//

Tomorrow sees the opening of Space Is Deep, the latest exhibition from art collective Le Gun.

The show, at London’s Daniel Blau gallery and featuring contributions from fellow travellers such as Wildcat Will Blanchard, Andrzej Klimowski and Will Sweeney, marks a departure for the group; for the first time work in colour is included alongside Le Gun’s trademark monochrome representations.

“We felt the time was right to introduce some colour and started off by making two technicolour free-form ‘nightmare paintings’, says Robert Rubbish, who founded Le Gun in 2004 with fellow artist/illustrators Bill Bragg, Chris Bianchi, Neal Fox and Stephanie von Reiswitz and designers Alex Wright and Matt Appleton.

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“Then we reassessed our approach, fine-tuned our colour pallet and made three space-inspired paintings, taking references from the likes of (horror/scifi comic artist) LB Cole and  Tintin’s adventure Explorers On The Moon.”

Continue reading Hawkwind + Barney Bubbles among influences in Le Gun’s exhibition Space is Deep

Performa 13 celebrates Duck Rock’s 30th anniversary: Marclay presents McLaren Award + Vinyl Factory releases special white vinyl 7″

This year’s presentation of the Malcolm McLaren Award at the finale of performance arts biennale Performa will celebrate the 30th anniversary of the iconoclast’s game-changing LP Duck Rock.

Hosted by eminent writer Glenn O’Brien and McLaren’s widow Young Kim, the event on Sunday will culminate in the presentation of the award by sound artist Christian Marclay to the artist under 40 who has demonstrated “the most innovative and thought-provoking performance” during Performa’s three-week run.

Designed by Marc Newson, the Malcolm McLaren Award was inaugurated at the last Performa in 2011, where it was presented by the late Lou Reed.

Continue reading Performa 13 celebrates Duck Rock’s 30th anniversary: Marclay presents McLaren Award + Vinyl Factory releases special white vinyl 7″

Graham Wood on the series of 24 posters inspired by a 1968 design for Oz magazine

//Selection of poster prints Graham Wood made for Magick Is Freedom! (After Barney Bubbles)//

Best known as one of the founders of British design collective Tomato, Graham Wood chose a 1968 poster for underground magazine Oz as the wellspring for a series of 24 poster prints.

I corresponded with Wood about the ways in which the original artwork- made by Barney Bubbles and his 60s design partner David Wills with a team of contributors – sparked inspiration for the two dozen A0-size posters, which were exhibited in Stockholm in November 2012.

Continue reading Graham Wood on the series of 24 posters inspired by a 1968 design for Oz magazine

Jeremy Deller’s BBC film for All That Is Solid Melts Into Air

Artist Jeremy Deller was commissioned to make a film by the BBC to coincide with the opening of his exhibition All That Is Solid Melts Into Air, a peroration on the consequences for Britain of the advent and aftermath of the Industrial Revolution.

The film underlines Deller’s deft application of juxtaposition. Eight year old primary school pupils read 19th century transcripts of workhouse children of the same age and former pop stars Jarvis Cocker and Noddy Holder and actress Maxine Peake intone from passages of contemporary Victorian reports on social conditions in their native locales (respectively Sheffield, the Black Country and Manchester).

Continue reading Jeremy Deller’s BBC film for All That Is Solid Melts Into Air

Glam! The Performance Of Style at Lentos Kunstmuseum, Linz

//Front cover of booklet for the Linz show features this 1973 Karl Stoecker portrait of Brian Eno in Roxy Music stage costume designed by Carol McNicholl//

Glam! The Performance Of Style – the exhibition which locates early 70s glam rock in the context of fine art and the interplay between “high” and mass culture – is opening at the Lentos Kunstmuseum in Linz, Austria later this month.

I was a consultant to Glam!’s curator Darren Pih of Tate Liverpool, where the show opened at the beginning of this year before moving on to Frankfurt’s Schirn Kunsthalle for the summer.

//The Let It Rock guitar mirror as exhibited at Glam! in Frankfurt. Photo: Andrei Luca//

Continue reading Glam! The Performance Of Style at Lentos Kunstmuseum, Linz

Derek Boshier’s diary fit to burst: Imaginary Portraits at the National Portrait Gallery, A Survey Of Work at Boston’s Gallery 360, films at Brooklyn’s Light Industry and inclusion in the Barbican’s huge Pop Art retrospective

//David Bowie As The Elephant Man by Derek Boshier, 1980 © Derek Boshier c/o Flowers Gallery//

Today the National Portrait Gallery unveiled Imaginary Portraits, a selection of works by artist Derek Boshier, who is the subject of a monograph I am editing.

Prominent are two studies of David Bowie; an oil-on-canvas painting executed in New York in 1980 while Bowie was rehearsing for his role in Bernard Pomerance’s play The Elephant Man at the city’s Booth Theatre and a 1981 ink-on-paper drawing which resulted from Boshier’s design for the sleeve for the album Lodger a couple of years earlier.

//Outer gatefold sleeve, Lodger, David Bowie, RCA, 1979. Design Derek Boshier, photography Brian Duffy//

Continue reading Derek Boshier’s diary fit to burst: Imaginary Portraits at the National Portrait Gallery, A Survey Of Work at Boston’s Gallery 360, films at Brooklyn’s Light Industry and inclusion in the Barbican’s huge Pop Art retrospective