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I’m fascinated by the modernist furniture and interiors produced by Francis Bacon before his emergence as “Bacon Agonistes”, in critic John Richardson’s memorable phrase. This occurred in 1933 with the selection of Bacon’s painting Crucifixion by Herbert Read for his 1933 survey Art Now: An Introduction To The Theory Of Modern Painting And Sculpture; tellingly, […]
“More than anyone, Malcolm McLaren bursts the definitions as to what exactly constitutes an artist.” Yves Aupetitallot, curator at Magasin, the Centre National d’Art Contemporain, in the introduction to Art In Pop Due to popular demand, the run of Art In Pop – the French exhibition about the intermingling of artistic practice with popular music […]
I first met artist/curator Robert Gordon McHarg III two decades ago, when he was developing a sadly unrealised television project based around the annual Christmas extravaganza conducted by our mutual friend, Robert Lopez, aka El Vez The Mexican Elvis.
This is nice; pal and fellow Chelsea Arts Club member John Wardle talks about the importance of the immediate neighbourhood, its artistic tradition going back to the likes of Whistler, the licentiousness of the Cremorne Pleasure Gardens in Victorian times, the Bohemian atmosphere engendered by the 70s slums around the Lots Road Power Station and […]
“Today’s artist, if he does not want to run down and become an antiquated dud, has the choice between technology and class warfare propaganda. In both cases he must give up ‘pure art’. Either he enrolls as an architect, engineer or advertising artist in the army (unfortunately very feudalistically organized) which develops industrial powers and […]
During a recent visit to his mother’s north London home, NY-based expat DJ, art/publishing player and blogger DB Burkeman took the opportunity to recover some of the ephemera of his youth, including the items you see here.
I’m delighted to announce that David Hockney has written the preface to Rethink/Re-Entry, the Derek Boshier monograph I am editing. In the piece, Hockney points out that they have known each other since 1957, and that Boshier “like me, is an artist, and one who has never lost his wonder at the world”.
The current issue of arts and culture magazine Bad Day is enlivened by an engaging interview with the eminent designer and architect Gaetano Pesce by one of his most vocal champions, design authority Jim Walrod. Augmented by Jeremy Liebman’s photographs, the feature makes a strong case for Pesce’s significance. “He’s the most punk rock person […]
“I started out in art school as a painter. I studied there for eight years and most of my education was based around the visual arts. I learnt all my politics and understanding of the world through the history of art.” Malcolm McLaren speaking on British arts documentary series the South Bank Show, 1983 Among […]
As demonstrated by these photographs taken today by Eric Pourcel, head of production at Magasin, France’s Centre National d’Art Contemporain in Grenoble, the Malcolm McLaren room at group show Art In Pop is really coming together ahead of next week’s opening. Art In Pop is curated by Magasin’s Yves Aupetitallot with John Armleder, Young Kim […]