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On the eve of the opening of Linderism, a new exhibition by the great contemporary artist Linder, I’m publishing a guest post by a follower of this blog who, like many, was introduced to her work via the sleeve artwork for Buzzcocks’ 1977 single Orgasm Addict. “To me, it was punk for the eyes rather […]
“It’s like reconstructing the debris of old pop paraphernalia… what’s exciting about it is that you no longer need to buy guitars. You can choose a friend up the road, put your decks together with a beatbox and make your own records, demoralising [sic] the pop myth and beginning to find a way of using […]
I’m indebted to Tate Liverpool curator Darren Pih for the connection between a photograph which appeared in ARK 33 – the edition of the Royal College Of Art magazine which was the subject of my last post – and a contemporaneous work by the artist Billy Apple.
“So great to see an eclectic range of images and objects that challenge norms and play with moral codes” The Courtauld’s Documenting Fashion blog The Conformist – artist Paul Kindersley’s celebration of great British non-conformity of expression – is now entering its final few days. If you have the opportunity, I recommend a visit to […]
The trickster’s function is to add disorder to order, and so make a whole; within the fixed bounds of what’s permitted, an experience of what is not permitted. Karl Kerenyi quoted in Prick Up Your Ears: The Biography Of Joe Orton, John Lahr, 1978 In January 1978, after the break-up of the Sex Pistols in […]