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Electric Colour Company were intent on enlivening the visual landscape of grey London town by desecrating polite notions of decor and good taste My feature on the pioneering but sorely undervalued design studio Electric Colour Company appears in the current issue of UK GQ Style.
In the autumn of 1972 the small King’s Road boutique Let It Rock, which had been open for less than a year, received a fillip when the owners Malcolm McLaren and Vivienne Westwood were asked to contribute costumes to the production of 50s Britrock movie That’ll Be The Day.
I’m featuring this image of designer Ben Kelly in his persona of The Photo Kid in my presentation about the design history of 430 at the symposium Dead Or Alive: Popular Culture & The Interior, which takes place today at London’s ICA.
Preparation for my paper at Ben Kelly’s interior design symposium Dead Or Alive has coincided with the refurbishment of the Worlds End shop at 430 King’s Road in Chelsea. The address is the subject of my talk; I’ll be detailing the history of 430 and how and why it was an important social and cultural […]
//Banal content: More examples of previously non-existent designs marketed as McLaren/Westwood originals – complete with Seditionaries-style labels – from a Chinese retailer’s site last year. Note the design at bottom left has a fake label whereas the one at the top of this post does not// //Above: A selection of more of the crude new […]
I’ve been aware of the existence of the Kensington boutique Roxy for some time, particularly since the store name was used as the title of the feature on London street fashion in a 1972 edition of Japanese magazine An An. But my curiosity was pricked recently while browsing that same issue of An An which […]
Looking forward to this evening’s lecture by designer Ben Kelly at his alma mater, the Royal College Of Art.
These jaunty photographs were taken by Barry Plummer in the spring of 1979 for a Melody Maker interview with Malcolm McLaren about the just-released soundtrack for the Sex Pistols’ biopic The Great Rock N Roll Swindle (beset by financial and creative difficulties, the film wasn’t released for another year). McLaren was accompanied by Vivienne Westwood; […]
Amid the references to the late Christopher Nemeth in today’s Paris show of the Louis Vuitton A/W 15 menswear collection (see my last post), artistic director Kim Jones used the staging to pay subtle homage to the two great maverick figures of London street culture – namely Malcolm McLaren and Vivienne Westwood and specifically their […]
//Left, Saint Laurent point-toed patent brothel creepers, A/W 2014. Right: George Cox Buckle Diano made to the 1950s last// Last season’s foregrounding by Saint Laurent of the pointed brothel creeper is just one of a run of examples of fashion brands plugging into the purity of this quintessentially British rock & roll style minted in […]