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When he was growing up in Minneapolis in the 1950s, the painter Duncan Hannah’s father advised him: “You never know what kind of squirrel cage a man goes home to at the end of the day.” Hannah’s book 20th Century Boy allows the reader full access to the squirrel cage inhabited by this charming man […]
Tonight’s DJ appearance at Manhattan’s’ Soho Grand by the city’s clubland legend Richard Boch – who will be joined on the decks by none less than Fab 5 Freddy and Club 57’s Dany Johnson – affords an opportunity to champion one of my favourite books of the year. Boch’s The Mudd Club is a visual […]
PRINT! Tearing It Up – the exhibition I co-curated at London’s Somerset House this summer – ended with a bang with a talk by journalist Kieran Yates about her magazine British Values (one of my highlights of the show).
PRINT! Tearing It Up, the exhibition about the resurgence and history of independent progressive British magazines, has entered its final week at central London’s Somerset House.
//Outtakes of the eight women featured in London Belles, published in the December 7 1973 issue of West One magazine. Photography © John Bishop. No reproduction without permission// Although high fashion may be a thing of the past, what has replaced it is individuality and freedom to express. Women like these now make up their […]
British law firm Charles Russell Speechlys, which supports the exhibitions at Somerset House’s Terrace Rooms, has produced a short film about PRINT! Tearing It Up, the show which I have organised at the gallery with SH senior curator Claire Catterall.
One of the most popular elements of PRINT! Tearing It Up – the celebration of independent magazines currently at Somerset House – is the giant mind map of British publishing which occupies an entire wall in the Terrace Rooms gallery.
Here’s a clip of me being interviewed about PRINT! Tearing It Up, which is free to visitors to Somerset House in central London until August 22:
“It’s like reconstructing the debris of old pop paraphernalia… what’s exciting about it is that you no longer need to buy guitars. You can choose a friend up the road, put your decks together with a beatbox and make your own records, demoralising [sic] the pop myth and beginning to find a way of using […]
I’m indebted to Tate Liverpool curator Darren Pih for the connection between a photograph which appeared in ARK 33 – the edition of the Royal College Of Art magazine which was the subject of my last post – and a contemporaneous work by the artist Billy Apple.