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Selection has started on the Barney Bubbles presence at this summer’s group exhibition about the visual language of music, White Noise: Quand le graphisme fait du bruit (When graphics make the noise) at the 23rd International Poster & Graphic Design Festival in Chaumont, France, from May 26 to June 10. I have supplied the text […]
I am beguiled by this photograph, which is entitled Pierre’s Breakfast and was taken by Willie Christie at David Hockney’s house in Notting Hill on May 18, 1974. The identities of the two individuals on the left are a mystery*; with Clark (in the white jumpsuit) are make-up artist Pierre Laroche, Marianne Faithfull and Michael […]
British Design From 1948: Innovation In The Modern Age – the new book accompanying the forthcoming show at the V+A – is a bumper edition: 400 pages weighing in at 5lbs. It’s cheering to see Barney Bubbles’ design Ian Dury With Love granted upfront prominence; the poster is in select company given special treatment by […]
If you’re in Austin TX – and there’s a chance you might be since hundreds of thousands of people have descended on the city for the annual SXSW film/music/interactive conflab taking place there this week – try and nip along to the Ray Ban Legendary Visions house at 78 Rainey Street on the eastside for […]
I sourced this incredible large-scale Barney Bubbles-designed poster from a private collection for the V&A’s forthcoming exhibition British Design: 1948-2012. Chris Breward, co-curator with Ghislaine Wood, credits my 2010 exhibition Process (which focused on Bubbles’ working practices) for having persuaded the V&A to foreground the work of the late graphic designer in the new show.
Last week I gave a talk about the work of Barney Bubbles at Bold Italic, the annual graphics conference organised by Michaël Bussaer of Ghent’s St-Lucas Institute for Higher Education in the Arts.
The final piece in Tate Modern’s current Yayoi Kusama show – her dramatic Infinity Mirror Room – brought to my vinyl-fixated mind one of the greatest record sleeves of all time: the gatefold for (No Pussyfooting), the album released in 1973 by Brian Eno and Robert Fripp. All of a piece with the music it […]
Last month I spent a fascinating couple of hours in the company of one of the grand enigmas of the age, Pierre Cardin.
I was in the audience at the Beacon Theatre NYC for the 1999 VH1 Divas, where this Whitney Houston performance was recorded. Her presence during this particular song is electrifying; she exudes vulnerability, a tortured female star (the wrong side of 35 according to the precepts of the global music industry) visibly dealing with the […]
Sculptor John Frankland is a near-contemporary of Damien Hirst’s; both studied at Goldsmith’s in the 80s and their work has been included in the same group shows and prominent collections. I asked John for his take on the grand Gagogo gesture of The Complete Spot Paintings, the exhibition which has “taken over the planet” (according […]