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Author: Paul Gorman

Art

Hawkwind + Barney Bubbles among influences in Le Gun’s exhibition Space is Deep

Tomorrow sees the opening of Space Is Deep, the latest exhibition from art collective Le Gun. The show, at London’s Daniel Blau gallery and featuring contributions from fellow travellers such as Wildcat Will Blanchard, Andrzej Klimowski and Will Sweeney, marks a departure for the group; for the first time work in colour is included alongside […]

December 11, 2013
1970s

Johnny Moped at the ICA: A cure for cookie-cutter rock-doc fatigue

Here’s a cure for year-end cookie-cutter rock-doc fatigue. Basically Johnny Moped, Fred Burns’ exemplary documentary about Paul Halford (aka punk rocker Johnny Moped), has been selected for a week of screenings at London’s ICA. The mini-season kicks off next Tuesday night with a post-film chat and q&a with Moped conducted by Burns. Tickets available here. […]

December 11, 2013
1970s

Bravura + brilliance: Tommy Roberts, February 6 1941 – December 10 2012

Sad to note the anniversary today of the death of Tommy Roberts, flamboyant design entrepreneur and subject of my book Mr Freedom. Here – with a selection of images from Mr Freedom – is an extract from an essay I have written about Roberts’ role in the development of design in Britain for Chris Breward […]

December 10, 2013
Blogs

Susie Bubble on Shop, Posh, Shopgirl + The Look’s first edition

Rifling through her memories of Pippa Brooks and Max Karie’s Soho boutique Shop (which later mutated into The World According To… and then shifted base to Shop At Maison Bertaux), fashion blogger Susie Bubble has nice things to say about me and my work and includes in her selection of images the cover of the […]

December 6, 2013
1970s

Photography: Grab a chance to go see Tom Sheehan’s Analogue

Tom Sheehan may be known as a “rock photographer” – a déclassé term for any old snapper with access – but is really an exacting and highly adept portraitist who chooses musicians as his subjects because, put simply, music is his abiding passion. I write as someone with the inside, having first encountered Sheehan in […]

December 4, 2013
1970s

Junior Murvin: Memories

Junior Murvin – who has died aged 67 – will forever be associated with the rebel cool of his 1976 Lee Perry-produced single Police & Thieves. Yesterday morning’s BBC Radio 4’s Today news programme displayed it’s trademark ham-fisted approach to pop culture when eagerly proclaiming the song his shining achievement by managing to misname Paul […]

December 4, 2013
1970s

Delirious New York: Legends Bobby Busnach + Gerry Visco, The Park Royal Hotel, the South Bronx scene and Boston’s The Other Side

These captivating 70s images stem from the amazing photographic archive of New York DJ legend Bobby Busnach. Many feature Busnach’s friend and muse, the fabulous writer/photographer/performer Gerry Visco, as well as the circles they moved in at NYC’s Park Royal Hotel, Boston disco/bar The Other Side and the nascent hip-hop scene in the South Bronx.

November 22, 2013
1970s

Jim French: Tinker, Tailor, Soldier, Sailor exhibition + new Colt apparel collection

Tinker, Tailor, Soldier, Sailor is an exhibition of Polaroids taken by artist, illustrator and print-maker Jim French which opens tonight at New York’s ClampArt gallery. These include studies for French’s 1969 Colt Studio print Longhorns Dance, incorporated by Malcolm McLaren in 1975 in his notorious Cowboys t-shirt design, as sold in Sex and Seditionaries at […]

November 21, 2013
Art

Performa 13 celebrates Duck Rock’s 30th anniversary: Marclay presents McLaren Award + Vinyl Factory releases special white vinyl 7″

This year’s presentation of the Malcolm McLaren Award at the finale of performance arts biennale Performa will celebrate the 30th anniversary of the iconoclast’s game-changing LP Duck Rock. Hosted by eminent writer Glenn O’Brien and McLaren’s widow Young Kim, the event on Sunday will culminate in the presentation of the award by sound artist Christian Marclay […]

November 21, 2013
1970s

Last few days of Punk @ SHOWStudio: Why this exhibition is true to the wit, elegance and design skills of the McLaren/Westwood partnership

In the period 1972-78 when the body of the partnership’s punk fashions were created, Malcolm McLaren’s art education and development as a largely conceptual visual artist was applied with Vivienne Westwood’s intuitive and sophisticated technical skills. The resultant potency of the work was achieved by such factors as: balance in the proportions; deft use of juxtaposition; […]

November 18, 2013