Fashion: An Anthology – the brilliance of Cecil Beaton x Vern Lambert at the V&A in 1971
//Cover, Fashion: An Anthology catalogue, V&A, 1971//
//Frontispiece: a Beaton photograph of a model wearing a 1961 Balenciaga dress//
//Vern Lambert in Milan in the 80s. Photo: Alfa Castaldi//
My recent Rocketman post gave me cause to dig out my copy of the catalogue produced for the groundbreaking exhibition Fashion: An Anthology, staged by London’s V&A from October 1971 to January 1972.
//Left: Givenchy, 1958; right: Grès, 1971//
//Left: Chanel, 1953; right: Courrèges (undated)//
//Evening dress, Charles James, 1934; Trouser suit, Chanel, 1937/8//
Curated by Cecil Beaton, the exhilarating range of the show was demonstrated by the inclusion of 24 designs from Mr Freedom (the Kensington Pop Art boutique which sold Elton John a variety of items including 10 pairs of winged boots) alongside work by such hallowed houses as Balenciaga, Chanel, Dior, Givenchy, Madame Grès, Charles James and Vionnet.
//Lambert’s Mr Freedom display for Fashion: An Anthology included: (clockwise from base) Winged boots designed by Jim O’Connor, Bingo jacket by Pamla Motown, Baseball suit by Diana Crawshaw, satin Jockey cap by Diane Saunders and Woolworths t-shirt also by Motown. Photo: V&A//
//Lambert with Anna Piaggi sketched by Karl Lagerfeld at his apartment in Paris in 1976. From Lagerfeld’s Sketchbook, Anna Piaggi, Weidenfeld & Nicholson New York, 1986//
Also present were such Mr Freedom contemporaries as Bill Gibb, Zandra Rhodes, Mr Fish, John Bates and Biba.
On Beaton’s team as display consultant was Vern Lambert, the brilliant though seriously undervalued fashion figure whose achievements ran from creating appreciation for such early 20th couture (as a precursor to today’s high-end global vintage business) through the Chelsea Antiques Market stall he ran with partner Adrien Emmerton in the 60s – where they also introduced such standbys as bell-bottoms and kaftans – to acting as a muse and partner to Vogue Italia doyenne Anna Piaggi and mentor to the likes of Manolo Blahnik and Karl Lagerfeld (with whom he lived as part of a troika with Piaggi).
//New Look cocktail dress, Dior, 1947; Audrey Hepburn in Ascot dress from My Fair Lady, 1963//
//Evening dress, Balenciaga, 1967; Evening dress and cape, Balenciaga, 1967//
//From Beaton’s catalogue introduction//
Going by the accounts of attendees I have spoken to, Fashion: An Anthology was a revelation. As the V&A’s first fashion exhibition, it certainly altered the ways in which major institutions around the world approached the subject.
And the catalogue is a gem, packed with photographs and sketches, many by Beaton. There is also a cool authority absent from the celebrity-driven bunfights and self-regarding texts which pass for museum fashion exhibitions and catalogues these days.
Vern Lambert died too young, in 1992. Read Jane Mulvagh’s obituary here.